Showing posts with label Manchester. Show all posts
Showing posts with label Manchester. Show all posts

Sunday

Flat 4, Manchester.

When I was six, I broke my arm really badly. I was playing on the monkey bars at school, slipped, and fell on my straightened arm, making the bones overlap. Gruesome, I know. I had to have a cast put on it for 3 months. The cast was blue, and people at school wrote messages in marker pens of 'get well soon's and cartoon faces. I wore it like a trophy; like a symbol of the good and the bad. Finally, the day came for it to be removed. Most kids who break a limb count down to this day - the day when they're 'back to normal'. Not me, I cried and screamed. I didn't want my cast to be removed, because, psychologically, it was like cutting off a part of myself. Bit of a random story, I hear you say. Bear with, there is a point.

Today I officially moved out of my flat in Manchester. My parents had kindly driven all the way up from Surrey to cart my things back home, and by God did I give them a hard time. I didn't want them touching my stuff. I got annoyed at them asking whether or not they needed to take X or Y. They cleaned the entire kitchen and I only just managed to spit a thank you at them. Why was I being such a bitch? Because my flat had become like my cast: it had become such a part of me, that losing it was physically painful. Like the scribbles of classmates on my cast, my flat played host to countless friends, family, and loves. Some of the happiest, and the saddest, times of my life had occurred within its walls. I learned the news of my grandmother's passing sitting on the sofa, of the engagement of one of my best friends in bed at 3 in the morning. When I was poor, I ate packet noodles in the kitchen. When I had money, I had friends over for huge suppers and parties. I laughed, and I cried, in every room - and I remember every time with equal clarity. I filled the walls with memories - literally, with photos and paintings, and metaphorically, with everything that happened to me whilst I was there. Admittedly, sometimes these memories got too much. When I broke up with my boyfriend, I removed every photo from the walls that reminded me of him - with not much success, as the memories of the times he was there still haunted the place. When I was alone, I filled the space with music, with words, and when neither helped, with the sound of typing - I started this blog sitting on my bed. So I guess the question is, what happens when you move on? I think the answer is in there: you move on. 

When my cast was taken off, the doctor asked me if I wanted to keep it. Strangely enough, although the ordeal had been so dramatic, I said no. I think I didn't want to be reminded of something that I'd lost. I wanted to move on. Perhaps I knew that there would be other broken bones, other ways of keeping memories of friendships and good wishes alive - I didn't have to keep a physical representation of them with me forever. The point is, I can't be a Van Wilder. I couldn't live in that flat forever, just as I couldn't keep repeating the final year of university because I'm scared of what comes next. There will be other flats, other houses, other homes, that I will fill with new memories, new people. However scary it is, there will always be a next chapter. Even death, as my grandmother used to say, is the start of something new. 

Today I arrived back at home. Downstairs are 8 bags of clothes, books, and DVDs that are going to fill someone else's home. I just finished putting together a collage of photos and pictures - none of which feature times in my old flat. Because we can't live in the past forever. Sometimes we just have to take a deep breath, bite the bullet, and have faith that more good times are gonna come. 


Love,
Belle x



R.I.P Flat 4. Here are your best bits.








Thursday

Tune Tape Tuesdays #29

Apologies for the late delivery on another Tune Tape - I'm afraid I've been a bit predisposed this week. Y'see, this will be the final Tune Tape being broadcast from Manchester - the city of music that has been my home for the last three years *tear*. This Sunday will mark the start of the next chapter of my life, familiar to most graduates from university. That's right: I'm moving back in with my parents. Hopefully this will a) be temporary, and b) not affect the quality of the Tune Tapes - but no guarantee on either of these statements. In light of this, I've put together the BIGGEST TUNE TAPE YET; 29 brand-spanking new tracks to say my goodbye to my life as a student, and hello to my life as an unemployed adult. Pass the whiskey, it's going to be emotional.

This week I thought I'd bring your attention to an amazing band I've just discovered: Imaginary Friend. They've just brought out a new album, and it's fantastic. If you like the sound of their track, The Thick and The Thin (which I've pitched at Number One), then preview - and buy - the whole thing on iTunes here. It's truly beautiful. Similarly enchanting is Simple Kids by Story Books, whose beautiful lyrics and uplifting guitar riffs will cast a spell over you. For a more classic, happy-clappy, Indie sound, play Celeste by Les Enfants - guarantee to make you smile. Making the rounds on music blogs this week is Marika Hackman's Bath is Black, whose beautiful vocals are juxtaposed with an early electronic organ-sounding accompaniment. Sounds odd, but give it a go, I think you'll like it. I know I put a lot of remixes on these Tapes but I don't often give you the originals - this week marks a change. First up is Milky Chance with Down the River. The original actually sounds like it's already been remixed, but don't be fooled by the heavy bass beat. FlicFlac takes this, extends it, and adds some breaks and snares - not a total overhaul, but I think it's an interesting interpretation. Next is Bipolar Sunshine and their similarly-named track, Rivers - an example of 'new Indie', which has taken influence from Drum and Bass, amongst other things. ToyBoy & Robin have built on these influences and transformed it into a pretty solid House track. Big Fish, Little Fish, anyone? By now, you should be aware that I've got big love for covers. This week, I've found two which merit a place on the Tune Tape. First is a track which I think exemplifies a great cover: Put A Ring On It, covered by Settling. He manages to turn what is an RnB anthem (I mean, who hasn't seen that video) into a beautiful Indie ditty. Seriously unrecognisable. Amazing job. Ellie Goulding has been trying her hand at a few covers lately, most recently Tessellate, originally by Alt-J (∆). Like Settling, I really love covers that switch the vocals' gender - i.e. if the original is by a woman, let a man cover it. Not only does it bring a totally new pitch and tone to the table, it also reverses the meaning, and makes you think about the song in a different way. Whilst I have to say I prefer the original in this case, I think Ellie does a great job on switching up the vocals. Speaking of timeless originals, stick on Viceroy "Jet Life" remix of Mark Morrison's classic 90's track, Return of the Mack (featured in that T-Mobile advert - you know the one), and have a bloody great time. Viceroy brings the track up to date by injecting some Summery synth and slightly increasing the tempo so it's perfect body-swerving speed. The next two tracks may not be to everybody's taste at first listen, but give them time, they're growers. They're also very in fashion, as anyone who's anyone spells their name in CAPITALS now. First up is HYDRABADD with Sanctuary, who describe their style as *begin airquotes* a sonic picture that is Diamond Spectrum *end airquotes*. However pretentious their Facebook 'about' section might be, their music is interesting and original, and I'd go as far to say that they're going places. FMLYBAND (who I believe are pronounced 'FamilyBand', not Fuck My Life YBAND, as I originally thought) is a similarly experimental sound - possibly more 'nuovo-Indie' than anything else, but I think it's unfair to pigeonhole them. Electricity is possibly more mainstream than the previous track, but I think you'd agree it's a similar "sonic picture". On a different note (pun totally intended), this week's soul is provided by Wale feat. Sam Dew with Love Hate Thing. I have to say, the soulful chorus - provided by Sam Dew - really makes this track for me. The rap really isn't anything special, but it does the job in contrasting nicely from the smooth melodies laid down by Mr. Dew. If you're looking for some decent rapping, stick on Miguel Campbell's remix of TOKiMONSTA (another capitalised name, he's trendy) feat. Kool Keith with The Force. Taking it back to the 90's fo'real, yo. Fred Falke is back in business, recently remixing a track by NERVO (what is with the capitals, seriously), Hold On. Which definitely has an early-00's House vibe about it (think Liberty X with Just a Little - getting it?). There's been a lot of 'groovy House' going around lately - soulful 70's classics reworked for modern ears - with quite a lot of success, actually. This week I'm featuring two tracks that slot into this genre: Moods's remix of Boz Scaggs' Low Down, and an extended House tribute to Bring Me Joy, originally by The Layabouts but reworked by Director's Cut. See if you can work out what they're saying at the beginning - my guess is 'Gerard Butler'. Flight Facilities have been a regular feature on TTT, and this week they're back with their feel-good track I Didn't Believe - perhaps not one of their greatest, but worth a mention nonetheless. Finally, we have two songs that I'm really excited about. First up is //Fractures with Twisted, which I have a feeling is going to be HUGE in underground circles. Does that make sense? I don't know. I think it's amazing. Next up is Tongue by Maribou State feat Holly Walker. If you can check out the video for this, do, because it's fantastic. It's another grower, so stick with it - it will reward you. Alright - the rest is down to you to discover. Happy listening folks, and over-and-out from me in Manchester. We've had some great times.





Love,
Belle x

Tuesday

Wish List Mondays & Tune Tape Tuesdays #26 - MASHUP

Hands up who had a good Bank Holiday Weekend. Me. I had a good Bank Holiday Weekend. In light of the fact that I'll no longer be a student in 10 days, I decided that this Bank Holiday I would practice not doing any work - for, y'know, when I actually get a job. Technically, being a student, I should have a lot of practice at not doing anything, but this is my shady excuse for not producing a Wish List yesterday and I'm sticking to it. Miraculously, we had no rain this weekend, so I was able to go out and stroll around the city in - wait for it - bare legs. Yep, it looks like Summer is well and truly here. So, to celebrate this (and to kill two birds with one stone), I thought I'd produce a MashUp post of Monday and Tuesday regulars. Imagine, if you will, that Fashion and Music had a beautiful, but sadly illegitimate, lovechild - and you might get something close to the post I've lined up for you. 

Cast your mind way back to the days of dial-up internet, landlines and VHS, when an an iPad was a cushion for your eye, and Kindles were something you put on a fire. In those days, I liked to spend my weekends fingering (don't be vulgar) the records in the record shop (think Empire Records as your cultural reference). Although vinyls had already been extradited to the basement, I still have fond memories of the hours I used to spend leafing through CDs - umming and ahhing over which one to buy. Like flat-caps and high-tops, vinyls are having something of a hipster resurgence. This weekend, I headed to Manchester's Northern Quarter, which is about as close you can get to a time warp without stepping through a tardis (or killing a human rabbit, for fans of Donnie Darko). Here, the record store is alive and well, and before I ran off to see A Place Beyond the Pines (which is super, by the way) I recaptured some childish joy by looking through the vinyls in Piccadilly Records. Glancing around at the trendy customers browsing the shelves, I realised that Fashion and Music do, on a whole, go pretty well together. I was thinking of doing a Music Genre-Based Fashion Overlook, but I am too tired/lazy. Until I muster the energy/courage for a post of that size, I thought I'd start off slow - contrasting the general fashion of those who attend Gigs (that is, instrument-based live music), with what my parents call "Raves" (i.e. live DJs). So, without any further ado, here is the first LBeLB MASHUP SPECIAL.



FASHION

"Come On Dahling, Let's Go Rahving"

1. 'Moonbeam' Crewneck Sweater by Billionaire Boys Club, EndClothing, £125. Beam me up Scotty, here.
2. Bright Leopard iPhone Shell, Topshop, £8. Deaf Leopard, here.
3. Zig-Zag Aztec Tunic, Topshop, £26. Az-Tech, here.
4. 'Tommy' Shorts by The Ragged Priest, Topshop, £55. Tie-Die For, here.
5. Crazy Animal HighShine Leggings, Topshop, £28. Get animalistic, here.
6. Giant Creole Triangle Hoop Earrings, ASOS, £10. Hula Hoop, here.
7. Red Bucci Hat with Yellow Ink, Brian Lichtenberg, $48. Bucci Mamma, here.
8. Metal Arm Flatbrow Sunglasses, Topshop, £16. Heavy Metal, here.
9. Air Force 1 Mid White High-Tops by Nike, Office, £72. Get high, here.
10. Mix Tape USB Stick, GettingPersonal, £20. Mix it up, here.

Gig-antic

1. Floral Print Blouse, Zara, £26. Print it out, here.
2. Canvas & PU Leather Jacket, H&M, £30. Hell for leather, here.
3. Black Pinafore Mini Dress, River Island, £20. Pin-teresting, here.
4. Cream Skinny Jeans, Topshop, £40. Cream your jeans, here.
5. Rouge Volupté Lipstick in No.17 Red Muse by Yves Saint Laurent, Selfridges, £25. Red or Dead, here.
6. Major 50 FX Headphones, Marshall, £140. See Major, here.
7. Leopard Head Top, H&M, £13. Take a walk on the wild side, here.
8. Gold Plated Red Rosebud & Bird Ring, Kirsten Ash Jewellery, £59. Roses are red, here.
9. Wooden Retro 3 Speed Turntable, Amazon, £100. Turning Tables, here.
10. Cross Over Leopard Print Wedges, Topshop, £45. Drive a wedge, here.


MUSIC

Before I start off with my little commentary, I'd like to mention some big news that had slipped both my mind and my attention for some time: The Strokes have a new album out. It's called 'Comedown Machine', and it's really bloody good. This week, I'm featuring one of my favourite tracks off the album: Chances. If you're digging their vibe but want to try before you buy, you can play the entire album on Grooveshark here. The top spot this week is filled by two tracks whose titles are remarkably similar: You and I by Allosaurus and You Got Me by Generationals. The similarities don't just end there, either - both have a bouncy Summer vibe and feature a large scoop of ice-cold synth for you to sit back and soak up. Next up is yet another track that's been released from the upcoming Great Gatsby OST: Beyoncé feat. Andre 3000's cover of Amy Winehouse's Back to Black. With the big name of Beyoncé upping interest, the actual track is, I have to say, a little bit of a rip off. It really should be Andre 3000 feat. Beyonce, as the ex-Outkaster does most of the legwork here. Despite the minimal input of 'Queen Bey', the track is - like most of the Soundtrack - pretty damn strong. Only a week to go before The Great Gatsby is officially in cinemas, folks! Isaac Tichaeur's progressive House track was put up on FRENCH EXPRESS's Soundcloud channel this week and has already received nearly 40,000 plays. It's not hard to see why - this track is like musical liquid butter being poured in your ear. FRENCH EXPRESS also put up the next track Chris Malinchak's So Good to Me, which is also like melted chocolate for your ears. Mmmm. Sexual. Next up is a MashUp (appropriate) of Wolf + Lamb and PillowTalk, entitled Real Love. MashUps can be a bit hit and miss, but this one is executed to perfection. Stick it on and chill the fuck out. Carrying on with the PillowTalk theme, they've also done an edit of Mayer Hawthorne's The Makings of a Lover, which puts a Funky House spin on the soul classic. If you like The Drums, check out Bedroom's track, In My Head. The guitar riff could have been lifted from their first album - although the vocals put an ethereal Chillwave spin on the proceedings. Definitely worth a play or twelve. For a bit of funk with an Indie spin, play Jean Tonique's remix of Jabberwocky's Photomaton; the perfect mix of sexy vocals and toe-tapping downbeat. Last week, I featured Lana Del Rey's offering on The Great Gatsby Sountrack, Young and Beautiful. In the time since its release, it's already been pray to a number of remixes, but GOOFY N/Me's interpretation is by far the best I've heard. See if you agree. If there weren't enough remixes already, I've also decided to throw in The Chainsmokers' take on one of Phoenix's tracks: Trying to be Cool, off their new album, 'Bankrupt!'. It's a fairly commercial Electro sound, but don't let that stop you from doing twirls to the bus stop. That's all from me this week - now it's over to you. Enjoy! 


Chances by The Strokes on Grooveshark


Love,
Belle x


PS. 

How Cool Is This Gold Lasonic Boombox:- 


Lush.

Monday

Wish List Mondays #17 - Manchester Student Special

We've all heard of the old 'North-South' divide. The old stereotype of the slightly dim but ever-so-friendly Northerner, the posho Conservative-supporter from the South... While these cliches belong to a past generation, the North-South divide does still exist - although it's largely been transferred to the field of fashion. Universities have become a great levelling field for students from any background. Piled into halls and flats cheek by jowl, those from Chelsea can find common ground and acceptance from a Bristolian, a Yorkshireman, or a Scot; it really doesn't matter. That's not to say that university dulls your local pride, just that it irons out those out-dated social prejudices. No, local pride can still be found everywhere, it's just that rather than throwing verbal abuse at each other, we represent our roots in what we wear. In Manchester, where I go to university, students from 't'North' are wholly distinguishable from those from the South. While the colour palette might be a similar shade of black, the looks couldn't be more different... In general, the Northern style can be summed up in one word: FIERCE. These girls go big, or they go home. Big hair, big bags, and big lashes are contrasted with little dresses, leather, and studs. In the opposing camp is the Southern army. Rather than obviously dressing to impress, these girls prefer a more 'laid-back' look - but don't be fooled, they've spent just as much time perfecting their messy hair, smudged eye-liner and blasé swagger. 

In this week's Wish List, I've tried to capture the essence of the Northern and Southern lasses, respectively. So choose your side, turn your swag on, and don't forget to work it baby. 

Northern Lasses

1. Cross-Print Shirt, H&M, £13. Wear buttoned up to the top, here.
2. Bucket Shopper with Braided Handle, Zara, £80. Wear swinging from the elbow, here.
3. Mesh Section Dress, H&M, £13. The tighter the better, here.
4. Disco Treggings, Topshop, £30. Because life's a party, here.
5. Studded Biker Jacket, River Island, £65. Studs and leather, what could be better, here.
6. Oh My Lashes by Katy Perry, Topshop, £7. Flashes of lashes, here.
7. Hair Raising Spray by Nicky Clarke, ASOS, £16. The bigger the better, here.
8. Grey Matte Retro Glasses, River Island, £10. Geek chic, here.
9. Black Ruby Clutch, French Connection, £65. Ruby Tuesday, here.
10. 'Arabella' (woo) Black Stud Detail Shoe Boot, Stylistpick, £40. Strut your studs, here.
11. Baroque Jewel Torque Necklace, ASOS Premium, £40. Carry a torque, here.
12. Prickly Black Heels by Jeffrey Campbell, Coggles, £165. Because Manchester can be dangerous, here.

Southern Belles

1. 'Brooklyn Parle Francais' Sweat by Brooklyn We Go Hard, EndClothing, £95. Can't speak French, here.
2. Black & White Boyfriend Coat, Topshop, £75. Borrow from the boys, here.
3. Black Turtleneck Sleeveless Crop Top, River Island, £14. Top of the crops, here.
4. Faux-Leather Jeans by Denham, Coggles, £170. Hell for pleather, here.
5. Acrylic Watch Beanie, Carhartt WIP, £20. Jack and the beanie, here.
6. Suspender Tights, Topshop, £9. Suspender from school, here.
7. Acid Denim Hotpants, Topshop, £28. Acid attack, here.
8. Heritage Backpack by Herschel Supply Co., EndClothing, £55. Wear slung nonchalantly over one shoulder, here.
9. Metal Top Keyhole Round Sunglasses, ASOS, £12. Looking through the keyhole, here.
10. 'Allie' Flatform Chelsea Boot, Stylistpick, £35. Made in Chelsea?, here.
11. Metal Plate Peak Cap, ASOS, £18. Peak too soon, here.
12. Black High-Tops by Adidas, Office, £65. Show your stripes, here.


Love,
Belle x

Friday

The Mean Reds

If you know me at all, you'll know my favourite movie is Breakfast at Tiffany's. In it, Holly Golightly explains how it feels to get 'The Mean Reds' to her dashing neighbour, Paul Varjak:


Holly: You know those days when you get the mean reds?
Paul: The mean reds, you mean like the blues?
Holly: No. The blues are because you're getting fat and maybe it's been raining too long, you're just sad that's all. The mean reds are horrible. Suddenly you're afraid and you don't know what you're afraid of. Do you ever get that feeling? 

I'd like to think my life draws many parallels with Holly's. I live alone in an apartment, rarely have anything more in my fridge than a lone bottle of champagne, sleep in late, and I occasionally cat-sit for my neighbours. Granted, I don't go out every night in fabulous gowns with older men, and I unfortunately don't have a handsome and creatively-troubled single neighbour in my building, but there are similarities there. Living alone has its perks. I can stay up as late as I want, get up as early as I want, make noise, make mess, have friends over, and not feel the least bit guilty. Yes, it is a selfish lifestyle, but I'd choose living solo over arguments about bills, noise, and who-stole-my-cheese any day. The only trouble with living alone is in the name: it sometimes gets a bit lonely. 

I'm an only child, so solitude comes almost as a second nature. I'm not good in groups, don't like crowds, and will opt for a night in watching Sex in the City over looking for sex in the city. I suppose you could call me a bit of a hermit. It means I don't rely on the company of others as much as other people, but it also means that when loneliness strikes, it's often crippling. In the movie, Holly's antidote for this feeling is to head to Tiffany's, because, "nothing very bad could happen to you there." My 'Tiffany's' are exhibitions, and today I went to a new one.

The Cornerhouse Manchester is not somewhere I frequent very often. Not because it isn't lovely, but because I always feel a bit, well, out of place. It's one of those trendy gallery-come-cafe-come-cinema's, and is always full of intimidating hipsters in oversized vintage coats and questionable haircuts - I'm afraid I, in my brand-new Topshop boots and blowdried hair, don't quite cut it in terms of 'alternative chic'. Nevertheless, I'd been wanting to go to their current David Shrigley exhibition as soon as I had heard about it, and seeing as I'd had a bad case of the Mean Reds last night, I thought it would be a good antidote. As it was Friday lunchtime, most hipsters were either still in bed with an absinthe hangover, or dining at the latest pop-up burger restaurant, so I was free to wander around unjudged. Spread over three small floors, your introduction into the mind of David Shrigley is in a room with a foam bed (the "napping station"), a whiteboard (to write how you are feeling), a mirror, and a gong (just because). I could tell this was going to be the perfect exhibition.


Already feeling my spirits lifting, I continued to the second floor. Covered almost floor to ceiling with black-and-white drawings, it's like stumbling down the rabbit hole and into the mind of the Mad Hatter or Cheshire Cat - nothing makes sense, everything is allowed, and silliness is most definitely encouraged...












David's art has an amazing way of making you feel happy. It makes you laugh (which was fine, because there was no one there to stare at me), it makes you think, and it makes you feel less alone. Gradually, I realised it's ok to be lonely sometimes. And a bit weird. And this feeling made me happy.

The third floor holds a giant statue of a man, with a row of chairs encircling him, and sheets of A3 covering the walls. It became apparent that you are encouraged to draw, or make some kind of artistic offering, that will be put on the walls. A little apprehensive, I looked around at what other people had drawn...







...and slowly but surely built up the courage to sit down and take a Shrigley-esque crack at it. Here is my finished product, in all it's glory:



The exhibition is entitled 'How are you feeling?'. On the whiteboard in the first floor, I had written lonely. By the time I had finished with my purple sharpie on the third, I was happy. For now, at least, the Mean Reds were gone.

How are you feeling?

Love,
Belle x



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