As some of you might be aware, the great Sleeping Beauty baddie Maleficent's biopic is out today. So to celebrate, I've put together a wickedly addictive collection of tunes for you to jam along to. I promise this isn't an excuse for being three days late on delivering the goods…ahem. As usual, Top Tracks are as follows:
Top Tracks
1. Once Upon A Dream - Lana Del Rey. That's right, Miss Del Rey's talents have once again been employed on a big blockbuster soundtrack. And, to be fair, I couldn't think of a better person to cover the Sleeping Beauty theme tune of Once Upon A Dream than Lana. She puts in just enough brooding sexiness to turn what was once a popular music box melody into a dark and haunting ballad. Nice work.
2. Deckchairs on the Moon - Bipolar Sunshine. I've covered a few of Bipolar Sunshine's tracks before (Drowning Butterflies and Rivers), but this new tune is by far my favourite. With vocals that continue to impress, this song will have you on track for Summer (or a rather mild Winter, in my case). Lie back and soak it up.
3. Say You'll Be There (Daniele di Martino Remix) - Mø. Mø seems to lend himself to being remixed. First, I covered Yen Sleep's remix of his track, Maiden, then MS MR's rework of Pilgrim. Now he's back with his version of the Spice Girls' 90's classic, Say You'll Be There. Guaranteed to change your view on the song forever.
Love,
Belle x
Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts
Thursday
Tuesday
Tune Tape Tuesdays #42
The main way I communicate is through music. It's generally the first thing I bond with people over, and - judgemental as it is - how I rate them. It's always been a huge part of my life, acting as the soundtrack to every month, season, and year since I was a youngster. So it seems only fair to share with you all the music that has got me through the last few weeks, in which I've pretty much turned my whole life on its head, and relocated to Sydney. Having been over here little over a month, I can say with some confidence that Aussies are really quite the discerning listener. They take tremendous pride in top-trumping you with their latest finds, and where once I was the sole DJ at house parties, I'm now vying for the aux cable with about ten others.
So with no further ado, and no one to compete with on my own blog (psyche!), I give you the first Tune Tape from Down Under…
Top Tracks
1. Stay With Me (Rainer + Grimm Remix) - Sam Smith. We've all heard the original on Radio 1 or Australia's Triple J equivalent by now - Sam Smith, who shot to fame on the back of Disclosure's huge single Latch has given up featuring and started soloing. With moderate success, I might add. Except he's being marketed as a younger, slightly less handsome Michael Bublé. Which is kinda whack, because he's actually pretty awesome. Instead of putting some commercial club beat on the track, Rainer & Grimm have striped back the already (in my opinion) over-produced original and just made it one hell of a happy song. Roll down the windows and head to the beach - better make the most of that 23 Degree heatwave, eh UK…
2. Cocaine Model - Zhu. Zhu's stuff has been making background waves for some months now. It's original-sounding, yet not too up itself for it to be fairly easy-listening. If the title of the track isn't enough to get your attention, the line 'It's Isabel Marant, I got everything you want' should do the trick. Pure magic. Perfect your 'House Party Head Nod' to this track.
3. Depth Over Distance (Tale Cooper Edit) - Ben Howard. I've been a big fan of Ben's ever since his first album dropped in 2011. He's recently released a studio version of Depth Over Distance which is beautifully raw and alive, which in turn has been picked up by a number of DJs. Tale Cooper's Edit of the track is sensational. Keeping relatively close to the original edit of the song, he really makes Ben's vocals and lyrics the star of the show, spotlighting them with some subtle yet evocative backing beats and loops. The ultimate track to get lost in.
That's all folks! I'll be back with more next week. Until then…
Love,
Belle x
So with no further ado, and no one to compete with on my own blog (psyche!), I give you the first Tune Tape from Down Under…
Top Tracks
1. Stay With Me (Rainer + Grimm Remix) - Sam Smith. We've all heard the original on Radio 1 or Australia's Triple J equivalent by now - Sam Smith, who shot to fame on the back of Disclosure's huge single Latch has given up featuring and started soloing. With moderate success, I might add. Except he's being marketed as a younger, slightly less handsome Michael Bublé. Which is kinda whack, because he's actually pretty awesome. Instead of putting some commercial club beat on the track, Rainer & Grimm have striped back the already (in my opinion) over-produced original and just made it one hell of a happy song. Roll down the windows and head to the beach - better make the most of that 23 Degree heatwave, eh UK…
2. Cocaine Model - Zhu. Zhu's stuff has been making background waves for some months now. It's original-sounding, yet not too up itself for it to be fairly easy-listening. If the title of the track isn't enough to get your attention, the line 'It's Isabel Marant, I got everything you want' should do the trick. Pure magic. Perfect your 'House Party Head Nod' to this track.
3. Depth Over Distance (Tale Cooper Edit) - Ben Howard. I've been a big fan of Ben's ever since his first album dropped in 2011. He's recently released a studio version of Depth Over Distance which is beautifully raw and alive, which in turn has been picked up by a number of DJs. Tale Cooper's Edit of the track is sensational. Keeping relatively close to the original edit of the song, he really makes Ben's vocals and lyrics the star of the show, spotlighting them with some subtle yet evocative backing beats and loops. The ultimate track to get lost in.
That's all folks! I'll be back with more next week. Until then…
Love,
Belle x
Wednesday
Tune Tape Tuesdays #41
So remember that shaggy-haired Scottish lad, Paolo Nutini, who had hits a few years back with Last Request and Candy? Well he's back, and has somehow transformed from gawky teen to bone fide stud muffin. Check out his newest single, Iron Sky, recorded live at Abbey Road Studios.
This week, in an attempt at an apology for my absence over the last month, I have put together the biggest Tune Tape in LBeLB history. Coming in at a massive 38 tracks and lasting nearly 3 hours, it's a comprehensive list of all things great and good happening in the world of music at the moment. Enjoy.
Top Picks
1. Midnight - Coldplay. It ain't no lie that I love Coldplay. Recently they released their track for The Hunger Games - Catching Fire Soundtrack, but in my opinion, Midnight is the far more powerful tune. Going down a more electronica-sounding route, it's a slow burner (unlike their earlier, more commercial material) but I guarantee it'll haunt you with its beautiful, restrained and subtle composition.
2. Go Crazy (Jeezy Cover) - Paul Conrad. Born out of the Radio 1 Live Lounge (or for my Aussie viewers, Triple J's Like a Version), there seems to be a growing trend in the Indie scene of late: taking lewdly explicit HipHop tracks (usually about bitches and hoes) and magicking them in to pieces that can actually move you - like, emotionally 'n shit. First it was Florence + The Machine who did a cover of Drake & Rihanna's Take Care (which was actually a cover of Gil Scott-Heron's I'll Take Care of You, just showing off...). Then Chet Faker came out with his version of No Diggity (originally by Blackstreet). This week, I've absolutely fallen for Paul Conrad's cover of Jeezy's Go Crazy. His vocals are absolute magic, a complete contrast to the original, yet he manages to keep the gritty sexiness of Jeezy's track - with none of the smut. Play on, player.
3. Slow Down - EMBRZ. I've been listening to this song for nearly a month now. A month that has been, shall we say, a little up and down in terms of emotion and sentiment. Yet this song seems to work in every situation. On the bus to work, late at night when you're awake and feeling sorry for yourself, making dinner, entertaining friends… You name it. Try it, you won't be disappointed - it really is a cure-all.
Love,
Belle x
This week, in an attempt at an apology for my absence over the last month, I have put together the biggest Tune Tape in LBeLB history. Coming in at a massive 38 tracks and lasting nearly 3 hours, it's a comprehensive list of all things great and good happening in the world of music at the moment. Enjoy.
Top Picks
1. Midnight - Coldplay. It ain't no lie that I love Coldplay. Recently they released their track for The Hunger Games - Catching Fire Soundtrack, but in my opinion, Midnight is the far more powerful tune. Going down a more electronica-sounding route, it's a slow burner (unlike their earlier, more commercial material) but I guarantee it'll haunt you with its beautiful, restrained and subtle composition.
2. Go Crazy (Jeezy Cover) - Paul Conrad. Born out of the Radio 1 Live Lounge (or for my Aussie viewers, Triple J's Like a Version), there seems to be a growing trend in the Indie scene of late: taking lewdly explicit HipHop tracks (usually about bitches and hoes) and magicking them in to pieces that can actually move you - like, emotionally 'n shit. First it was Florence + The Machine who did a cover of Drake & Rihanna's Take Care (which was actually a cover of Gil Scott-Heron's I'll Take Care of You, just showing off...). Then Chet Faker came out with his version of No Diggity (originally by Blackstreet). This week, I've absolutely fallen for Paul Conrad's cover of Jeezy's Go Crazy. His vocals are absolute magic, a complete contrast to the original, yet he manages to keep the gritty sexiness of Jeezy's track - with none of the smut. Play on, player.
3. Slow Down - EMBRZ. I've been listening to this song for nearly a month now. A month that has been, shall we say, a little up and down in terms of emotion and sentiment. Yet this song seems to work in every situation. On the bus to work, late at night when you're awake and feeling sorry for yourself, making dinner, entertaining friends… You name it. Try it, you won't be disappointed - it really is a cure-all.
Love,
Belle x
Tuesday
Tune Tape Tuesdays #40
Tune Tape Tuesdays returns in 2014 with some cracking tracks to get you through those January blues. What with Christmas, New Year and the wet weather that forces you to pay for the bus to work, I'm betting most of you are feeling pretty skint. Well you're in luck, because most of the following tracks are available for free download (or all of them, if you know a trick or two). As I'm tired, overworked and underpaid, I'm going to make my part here as short and sweet as possible so you can skip on to the important part - aka the music.
Top Picks this Week are as follows:
1. Gold - James Vincent McMorrow. JVM is back and better than ever. Following his initial new release, Cavalier, Gold sees him return to what he does best - a beautiful track with chilling vocals and a riff from the horn section that will have you spinning in the pouring rain like a scene from a particularly clichéd romantic comedy. Don't fight it.
2. Real - Years & Years. This new band have hit it out of the park with their second single, Real. One for those of you whose dinner parties frequently turn into all of you dancing around the living room, this track will transform your evening from sophisticated to spirited in one swift step.
3. I Got U - Duke Dumont feat. Jax Jones. Now normally I stay fairly clear of any track that features text abbreviation in its title as they more often than not turn out to be a cringe-worthy House-Pop track blaring out of a sticky-floored club at 2 in the morning. But the steel drums and summer-vibe make this track are just about cool enough to make up for it. I predict a future Soundtrack to Summer favourite.
LBeLB is back, baby - C U Next Tuesday (literally).
Love,
Belle x
Top Picks this Week are as follows:
1. Gold - James Vincent McMorrow. JVM is back and better than ever. Following his initial new release, Cavalier, Gold sees him return to what he does best - a beautiful track with chilling vocals and a riff from the horn section that will have you spinning in the pouring rain like a scene from a particularly clichéd romantic comedy. Don't fight it.
2. Real - Years & Years. This new band have hit it out of the park with their second single, Real. One for those of you whose dinner parties frequently turn into all of you dancing around the living room, this track will transform your evening from sophisticated to spirited in one swift step.
3. I Got U - Duke Dumont feat. Jax Jones. Now normally I stay fairly clear of any track that features text abbreviation in its title as they more often than not turn out to be a cringe-worthy House-Pop track blaring out of a sticky-floored club at 2 in the morning. But the steel drums and summer-vibe make this track are just about cool enough to make up for it. I predict a future Soundtrack to Summer favourite.
LBeLB is back, baby - C U Next Tuesday (literally).
Love,
Belle x
Friday
Tune Tape Tuesdays #37, #38 & #39
TUNE TAPE TUESDAY IS BACK! After over a month of no-show, I'm back with all the music you've missed. That's a blockbusting THREE Tune Tapes at once. That's around 70 new tracks to get your teeth into. So with no further ado, let's get cracking.
Continuing on the theme of threes, I thought this week I'd pick out three stand-out tracks from each week of missed Tune Tapes. So, y'know, I'm giving something back. Rather than go into a long ramble about WHY they're awesome, I'm just going to list them. Because a) it's a bit pretentious, and b) it's time-consuming and I'm lazy. Besides, I'm giving you a shedload of new Tunes - ain't no normal person got time fo' dat!
Tune Tape Tuesdays #37
Top Tracks
1. Satellite Stories - Campfire
2. Brodinski ft. Theophilus London - Gimme Back the Night
3. Bondax - Giving It All (Joe Goddard Remix)
Tune Tape Tuesdays #38
Top Tracks
1. Ludovico Einaudi - Walk (Phaeleh Remix)
2. Lorde - Million Dollar Bills (Easy Girl Remix)
3. Jake Bugg - Broken
Tune Tape Tuesdays #39
Top Tracks
1. The Paper Kites - St Clarity
2. Pr0files - Call Yourself a Lover
3. Lorde - Buzzcut Season
Well. That should keep you going for a while. If anyone is still having problems with loading these - Internet explorers crashing etc - then just let me know.
Love,
Belle x
Continuing on the theme of threes, I thought this week I'd pick out three stand-out tracks from each week of missed Tune Tapes. So, y'know, I'm giving something back. Rather than go into a long ramble about WHY they're awesome, I'm just going to list them. Because a) it's a bit pretentious, and b) it's time-consuming and I'm lazy. Besides, I'm giving you a shedload of new Tunes - ain't no normal person got time fo' dat!
Tune Tape Tuesdays #37
Top Tracks
1. Satellite Stories - Campfire
2. Brodinski ft. Theophilus London - Gimme Back the Night
3. Bondax - Giving It All (Joe Goddard Remix)
Tune Tape Tuesdays #38
Top Tracks
1. Ludovico Einaudi - Walk (Phaeleh Remix)
2. Lorde - Million Dollar Bills (Easy Girl Remix)
3. Jake Bugg - Broken
Tune Tape Tuesdays #39
Top Tracks
1. The Paper Kites - St Clarity
2. Pr0files - Call Yourself a Lover
3. Lorde - Buzzcut Season
Well. That should keep you going for a while. If anyone is still having problems with loading these - Internet explorers crashing etc - then just let me know.
Love,
Belle x
Wednesday
Tune Tape Tuesdays #36
Here at LBeLB, we like to roll with the times. Which is why, if something isn't working, I try to fix it. Take Tune Tape Tuesdays. A few of you have fed back that the sheer megaload of great music I give you every week, in separate Soundclouds, slows down their Internet browser and makes y'all a sad panda. So I've taken the liberty of trying to find a solution. Instead of listing every song individually, I've put them all into a set - hopefully making running time smoother, and allowing you to play the whole Tune Tape at once (without having to click on each track when the last one ends). Let me know whether this set-up works better. As for the introductory jargon - let's do away with it for a while, and just appreciate the music on its own. If any of you really enjoy my ramblings, then drop me a line, and depending on demand, I'll pick it up again.
Happy listening.
Love,
Belle x
Happy listening.
Love,
Belle x
Friday
Tune Tape Tuesdays #35
It might not be a Tuesday, but perhaps this Tune Tape is coming to you at a good time: just before the weekend. Here in balmy Bristol, we're being treated to a balloon festival, where, every evening, hundreds of hot air balloons float through the skies above the city delighting children and adults alike. It's a beautiful time to be outside and enjoying a barbecue - and what do barbecues need even more than a piles of assorted undercooked meat? Music. And I think I've got just the ticket...
It's the Return of the King. The Kings of Leon, that is. And about time too. A couple of weeks ago, they released their first single since 2010: Supersoaker. As a massive KoL fan, I have to be honest: I was fairly underwhelmed. Luckily this week, they dropped their second single off their new album, 'Mechanical Bull' (available to buy 23rd September), and have totally restored my faith with Wait for Me. Sounding more like a return to their 'Aha Shake Heartbreak' days, but with the emotion of Pyro, it signals a great return to form and proves that the Kings have still got it.
Next up is a track that uses possibly the most epic recording sample I've ever heard in a Deep House track: the Emperor speech from Charlie Chaplin's The Dictator. Sax is provided by the incredibly talented Adrian Symes - think Klangarussell, but smoother and sexier. Unlike a lot of 'epic speech' samples that have been used before, Thomas Jack manages to blend it perfectly with both the beat and melodies. I'm excited, how bout you.
While not exactly new, this song is new to me - and it's utterly timeless. Third on this week's list is Didn't I, by the 70's soul artist Darondo. Lesser known (and less cheesy) than the BeeGees, this track will inject your iTunes library with some serious soul.
I've featured a couple of Kulkid tracks on here lately. This week he's back, with his new remix of Mumford & Sons' huge hit of 2012: I Will Wait. Without being too obvious about it, Kulkid gives new life to the track and turns it into quite a subtle - but powerful - well, banger, blending house with a dash of Jamaican dancehall perfectly. Who doesn't like a smattering of steel drums. If I Will Wait was too "gay" for you guys out there to listen to first time around, at least you can now enjoy it without fear of growing a vagina.
Speaking of steel drums, next up is BASECAMP (what is it with bands and capitalised names these days.) with Emmanuel. Listed as 'electronic R&B', it's almost impossible to put this category in any genre, but don't let that put you off - it's great because it's original. With a vibe that is perfect in almost any situation - enough beat to move to, yet sexy and slow enough to be chilled - it's a great new addition to your iPod.
BANKS is everywhere at the moment, but this week they've teamed up with SOHN who has helped produce their latest track, Waiting Game. You can definitely hear his influence in the track - it's much more subtle, more dark, and less indie; defiantly Chillwave in nature. It's definitely the best thing they've done to date - I hope to hear more in the future.
Don't get me wrong, I absolutely love Indie. Which is why I'm super excited about the next track: Beggar in the Morning by The Barr Brothers. Indie to the point of singer-songwriter acoustic, it's exactly the kind of sound I like to chill out to. A song you can imagine on the soundtrack of something like 500 Days of Summer, it's both happy in sound, but powerful in lyrics. Perfect to listen to on those sunny mornings in to work.
I absolutely adore Fink. This is the Thing is one of my favourite songs ever. Synapson has taken his track, Maker, and given it an ingenious makeover, putting in some extra instrumentals and a Funky House beat. Warning: may result in sex.
On my weekend on the East Coast we had no choice but to listen to late-night Kiss FM. As much as I have my doubts about late-night radio (I can't help but think about Alan Partridge), this song came on and totally blew me away. It's Aeroplane's remix of Grace Jones' William's Blood. I'll be honest, I'm not a massive fan of Miss Jones, but what Aeroplane have done to this track is bloody epic. Not quite Progressive House, not quite Dub, it's seven and a half minutes of awesome. And 'awesome' is a genre.
Next up are two songs by Jakubi, a new artist I discovered this week. Although I've kind of gone off new Hip-Hop lately (too many Drake and Kanye wannabes as far as I'm concerned), I can't help but like this guy's style. In both Can't Afford it All and Holiday there are fewer bitches, hoes, and expletives; more in keeping with mid-00's artists such as Gym Class Heroes - combining rap with melodies that you will have in your head for days. There might not be much of a 'message', but with a vibe this happy, who really gives a shit.
Finally, we have Misterwives with Coffins, who are following in the footsteps of female-led bands such as The Jezabels. These bands combine unusual lyrical themes with beautiful melodies and instrumentals (in this case, violins) to produce moving and emotive tracks that offer up a new meaning with every listen. Powerful stuff.
While not exactly new, this song is new to me - and it's utterly timeless. Third on this week's list is Didn't I, by the 70's soul artist Darondo. Lesser known (and less cheesy) than the BeeGees, this track will inject your iTunes library with some serious soul.
I've featured a couple of Kulkid tracks on here lately. This week he's back, with his new remix of Mumford & Sons' huge hit of 2012: I Will Wait. Without being too obvious about it, Kulkid gives new life to the track and turns it into quite a subtle - but powerful - well, banger, blending house with a dash of Jamaican dancehall perfectly. Who doesn't like a smattering of steel drums. If I Will Wait was too "gay" for you guys out there to listen to first time around, at least you can now enjoy it without fear of growing a vagina.
Speaking of steel drums, next up is BASECAMP (what is it with bands and capitalised names these days.) with Emmanuel. Listed as 'electronic R&B', it's almost impossible to put this category in any genre, but don't let that put you off - it's great because it's original. With a vibe that is perfect in almost any situation - enough beat to move to, yet sexy and slow enough to be chilled - it's a great new addition to your iPod.
BANKS is everywhere at the moment, but this week they've teamed up with SOHN who has helped produce their latest track, Waiting Game. You can definitely hear his influence in the track - it's much more subtle, more dark, and less indie; defiantly Chillwave in nature. It's definitely the best thing they've done to date - I hope to hear more in the future.
Don't get me wrong, I absolutely love Indie. Which is why I'm super excited about the next track: Beggar in the Morning by The Barr Brothers. Indie to the point of singer-songwriter acoustic, it's exactly the kind of sound I like to chill out to. A song you can imagine on the soundtrack of something like 500 Days of Summer, it's both happy in sound, but powerful in lyrics. Perfect to listen to on those sunny mornings in to work.
I absolutely adore Fink. This is the Thing is one of my favourite songs ever. Synapson has taken his track, Maker, and given it an ingenious makeover, putting in some extra instrumentals and a Funky House beat. Warning: may result in sex.
On my weekend on the East Coast we had no choice but to listen to late-night Kiss FM. As much as I have my doubts about late-night radio (I can't help but think about Alan Partridge), this song came on and totally blew me away. It's Aeroplane's remix of Grace Jones' William's Blood. I'll be honest, I'm not a massive fan of Miss Jones, but what Aeroplane have done to this track is bloody epic. Not quite Progressive House, not quite Dub, it's seven and a half minutes of awesome. And 'awesome' is a genre.
Next up are two songs by Jakubi, a new artist I discovered this week. Although I've kind of gone off new Hip-Hop lately (too many Drake and Kanye wannabes as far as I'm concerned), I can't help but like this guy's style. In both Can't Afford it All and Holiday there are fewer bitches, hoes, and expletives; more in keeping with mid-00's artists such as Gym Class Heroes - combining rap with melodies that you will have in your head for days. There might not be much of a 'message', but with a vibe this happy, who really gives a shit.
Finally, we have Misterwives with Coffins, who are following in the footsteps of female-led bands such as The Jezabels. These bands combine unusual lyrical themes with beautiful melodies and instrumentals (in this case, violins) to produce moving and emotive tracks that offer up a new meaning with every listen. Powerful stuff.
Love,
Belle x
Wednesday
Wish List Mondays #37 - It's Indie Rock'n'Roll For Me.
For
any of you who are familiar with Nails Inc. products, you’ll know that their gimmick
is naming their Nail Polish colours after London streets and areas; colours
that ‘personify’ that particular part of London: Pillarbox Red for ‘St James’,
canary yellow for ‘Carnaby Street’, charcoal grey for ‘The Thames’ (no one can
disagree with that…). Well I thought this was pretty cool, so I copied it with
my iPod playlists – all named after Tube Stops. Hyde Park for those songs
perfect for barbeques and sunbathing. Covent Garden for songs that put a smile
on your face, and a spring in your step. Brixton for UK Hip Hop (natch.).
Recently I’ve been listening a lot to Camden Town, the spiritual home of Indie
Rock’n’Roll c.2006. Back then you could pop into the pub on the corner and you’d
bump into Kate Moss, Amy Winehouse (RIP) and Pete Doherty, Alex Turner and his
Arctic Monkeys, and probably a couple of The Cribs, Editors, Kasabian and Franz
Ferdinand. These were not just the glory days of Indie Rock’n’Roll. These were
my glory days. And, to be honest, I still haven’t really moved on. I still try
and emulate Kate Moss at Glastonbury c. 2005. I like having bed hair. I like
looking like I’ve stolen my wardrobe from a drugged-up rocker boyfriend. I like
skinny jeans with boots, army jackets with aviators, and alcohol with
cigarettes. If imitation is the highest form of flattery, then I’m practically
bowing down at the altar of The Moss. So this week, in honour of Indie Rock’n’Roll,
Kate Moss, and probably my own, glory days, I thought I’d put together a Wish
List that 2006 would be proud of. So grab a packet of Malboro Reds, a old copy
of NME, and a bottle of Glen’s because “it’s Indie Rock’n’Roll for me”.
1. Tall Hooded Lightweight Jacket, Topshop, £60. Neighbour hood, here.
2. Face Coin Ring by Laura Lee, ASOS, £185. Not just a pretty face, here.
3. Panasonic RP-HTX7 Retro-Style Headphones in Green, Play.com, £42. Press play, here.
4. Leighton Shoulder Bag, BCBG Max Azria, $268. Cold shoulder, here.
5. Mix Match Check Shirt, Topshop, £30. Check it out, here.
6. Denim Shirt Dress, H&M, £30. You gotta be shirting me, here.
7.'Nice Melody' Light Grey Suede Wedge Boots, Clarks, £60. 50 shades of grey, here.
8. Corduroy Trousers, H&M, £15. Play some cords, here.
9. Desert Boots in Sand, Clarks Originals, £79. Original gangster, here.
2. Face Coin Ring by Laura Lee, ASOS, £185. Not just a pretty face, here.
3. Panasonic RP-HTX7 Retro-Style Headphones in Green, Play.com, £42. Press play, here.
4. Leighton Shoulder Bag, BCBG Max Azria, $268. Cold shoulder, here.
5. Mix Match Check Shirt, Topshop, £30. Check it out, here.
6. Denim Shirt Dress, H&M, £30. You gotta be shirting me, here.
7.'Nice Melody' Light Grey Suede Wedge Boots, Clarks, £60. 50 shades of grey, here.
8. Corduroy Trousers, H&M, £15. Play some cords, here.
9. Desert Boots in Sand, Clarks Originals, £79. Original gangster, here.
NIGHT
1.Paris Kitsuné Tshirt by Kitsuné, EndClothing, £49. On the streets of Paris, here.
2. Honeycomb Necklace by Bill Skinner, ASOS, £80. Busy bee, here.
3. Kitsuné Tee x Genevieve Gauckler Tokyo Tee, EndClothing, £49. Tee off, here.
4. Super Stretch Leather-Look Leggings, H&M, £13. Hell for leather, here.
5. Wool-Crepe Blazer by Saint Laurent, Net-a-Porter, £1,865. Get blazed, here.
6. Printed Chiffon Dress, H&M, £25. Print off, here.
7. Metal Trim Boots, Topshop, £80. Heavy Metal, here.
8. 6 Pack of Mid-Stack Rings, ASOS, £8. Get the stack, here.
Love,
Belle x
Tuesday
Tune Tape Tuesdays #34
Holy Smokes, Batman. It's been THREE WEEKS since the last Tune Tape! Y'all must be dying for some new music, and I hope to give it to you in spades with this HUGE selection of tracks to keep you ticking over until the next time I find some internet. Unfortunately posts are getting harder to publish, as the absence of internet at the house I'm staying at is infuriating to say the least - this particular Tune Tape is coming to you live from The Brass Pig, a very respectable pub in which I'm taking up an entire sofa... The apres-work crowd doesn't seem to impressed with this. Perhaps they should try having no internet.
Anyway, enough complaining, time to talk music. This week's number one spot goes to Sam Smith, who has released a live acoustic version of the song he collaborated with Disclosure on, Latch. The original rocketed Disclosure from relatively obscurity into Electronic music's new favourite thing, but this version is, simply, beautiful. The amount of emotion Sam puts into his vocals is honestly breathtaking, and - unlike the original - the slowed tempo allows him to get his pitch spot on.
Going in a completely different direction is the second song this week. Anyone who follows me on Facebook might have noticed I released a teaser of the content of this week's Tune Tape - Game of Thrones by Rameses B was said teaser. This song single-handedly combines two of my favourite things du jour: Game of Thrones (especially Ned Stark *tear*), and 'Chill-step' (that's slow, lingering Dubstep to you genre newbs). I've had my eye on Rameses B for a while now, and have great respect for the direction he's taking Dubstep in. Now that 'artists' (I use the term VERY loosely) like Justin Beiber have commercialised and belittled the genre, it's very hard to find anything original or credible. Thank God for real artists like Rameses B, that's what I say.
If this changeable weather we're currently enduring has got your knickers in a twist, calm your nerves with a dose of Prizes' Remix of Evening's song, Babe. Evening's Indie vocals are contrasted with multi-layers of beats and subtle sound effects to create an almost wave-like effect of sound and enjoyment. Let it wash over you.
If you'd rather party vertically than horizontally, have a play of ColeCo's You're So Fine - preferably looking at yourself in the mirror, first thing in the morning, in your pants. Tried and tested, my friends, tried and tested.
Lane 8 is an artist that I'm really loving at the moment. The last few Tune Tapes have featured his tracks Be Mine and Every Night - this week I give you his interpretation of Spandau Ballet's classic: True. Featured in nearly every film either shot or set in the 80's, Lane 8 masterfully updates this guilty pleasure and makes it totally fresh and instantly addictive.
I've been a fan of Mikky Ekko ever since Pull Me Down - and became an even bigger fan after his collaboration with Rihanna over what is probably my favourite song of 2013: Stay. This week he's released his new solo single, Kids, and the brilliant Monsieur Adi has already picked it up and remixed it. This guy never misses a trick. Funnily enough, it's actually got vibes of MGMT's track of the same name - although, admittedly, probably not so much of an instant classic. Nevertheless, it's super fun and catchy (without being cheesy), which is enough for my seal of approval.
If you are, like me, an early morning commuter, you will be familiar with BBC's Radio 1. Yesterday I heard them playing Disclosure's new release: F for You. But I'd already beaten them to it; nay, I'd already gone beyond, for I have found Totally Enormous Extinct Dinosaur's Remix. Which is, quite simply, fabulous. I'd possibly go even as far as saying it's a stronger track than the original. But don't take my word for it - have a listen for yourself.
A remix that really took me by surprise this week was Kill Me With Colour's version of Bon Iver's Wolves. Expecting a fairly generic Chillwave take on the original made the surprising inclusion of one of the classics of old-skool HipHop all the more pleasurable. I won't spoil it for you. Go ahead. Enjoy.
If you liked Prizes remix of Babe, you'll probably enjoy Skyphos's take on Nina Simone's classic, Feel Good. I say probably. You will. Skyphos totally revamps the track, taking it apart to its most minimal, yet most recognisable, components, then layering some chilled sound effects over a rolling Chillwave synth beat. Perfect for those mornings when you don't want to get out of bed.
King Krule is a talented artist that is only going one way: up. This month he's put his hand to DJing, laying his own recognisable sound onto female rapper Angel Haze's New York. King Krule turns what is otherwise quite an overly aggressive rap track from a Minaj/Azealia/Iggy wannabe into something quite soft and surprisingly enjoyable.
If rap is what you're after, then Kid Cudi has returned, releasing Cold Blooded. Kid tends to be a bit hit-and-miss with what he brings out, but I think he's hit the nail on the head with this track. It's got a great bouncy beat, and, as usual, Kid's vocals cut through it like a knife through butter. Glad to have you back, Kid.
My guilty pleasure of the month has to be Kill Paris's Falling In Love Again, which has cheesy vocals and a dirty electro (bordering on Dubstep) beat. It's a total embarrassment. But I love it.
My favourite lady of Pop, Lana Del Rey has been remixed by Cedric Gervais this month, who turns her song, Summertime Sadness into a banging house track that is guaranteed to get people off their asses and on the dancefloor. Fist pump, y'all.
Last year, Jakwob released Fade - a more commercial direction than he'd previously been involved in, but enjoyable nonetheless. This year, Fade has clawed back some credibility through Sane Beat's remix, turning it into an understated Trap track that is as simple as it is masterful. This is the kind of Trap I like, especially when it's done this well.
Poliça is, I have a feeling, someone we need to keep an eye on. Her song, Dark Star was one of my standout tracks of 2012. This year, Tiff has been expertly remixed by Doc McKinney, who retains her signature vocals in all their glory while still adding some glitches and wobbles in all the best places. Nice work.
Moving on from Chillwave, we have some Indie, curtesy of SPEAK and Peaks (confusing), and I Break Horses and Denial. Feel-good and light-hearted, it exemplifies the new sound of Indie that I'm always going on about: more synth, generally higher male vocals (if not, female), you get the picture. For all you die-hard mid-00's Indie fans, I'd be interested to know what your view is on this 'new direction'.
Finally, I found a good Mash-up this week of R.Kelly and Phoenix by The Hood Internet. Listen. It's fun.
Anyway, enough complaining, time to talk music. This week's number one spot goes to Sam Smith, who has released a live acoustic version of the song he collaborated with Disclosure on, Latch. The original rocketed Disclosure from relatively obscurity into Electronic music's new favourite thing, but this version is, simply, beautiful. The amount of emotion Sam puts into his vocals is honestly breathtaking, and - unlike the original - the slowed tempo allows him to get his pitch spot on.
Going in a completely different direction is the second song this week. Anyone who follows me on Facebook might have noticed I released a teaser of the content of this week's Tune Tape - Game of Thrones by Rameses B was said teaser. This song single-handedly combines two of my favourite things du jour: Game of Thrones (especially Ned Stark *tear*), and 'Chill-step' (that's slow, lingering Dubstep to you genre newbs). I've had my eye on Rameses B for a while now, and have great respect for the direction he's taking Dubstep in. Now that 'artists' (I use the term VERY loosely) like Justin Beiber have commercialised and belittled the genre, it's very hard to find anything original or credible. Thank God for real artists like Rameses B, that's what I say.
If this changeable weather we're currently enduring has got your knickers in a twist, calm your nerves with a dose of Prizes' Remix of Evening's song, Babe. Evening's Indie vocals are contrasted with multi-layers of beats and subtle sound effects to create an almost wave-like effect of sound and enjoyment. Let it wash over you.
If you'd rather party vertically than horizontally, have a play of ColeCo's You're So Fine - preferably looking at yourself in the mirror, first thing in the morning, in your pants. Tried and tested, my friends, tried and tested.
Lane 8 is an artist that I'm really loving at the moment. The last few Tune Tapes have featured his tracks Be Mine and Every Night - this week I give you his interpretation of Spandau Ballet's classic: True. Featured in nearly every film either shot or set in the 80's, Lane 8 masterfully updates this guilty pleasure and makes it totally fresh and instantly addictive.
I've been a fan of Mikky Ekko ever since Pull Me Down - and became an even bigger fan after his collaboration with Rihanna over what is probably my favourite song of 2013: Stay. This week he's released his new solo single, Kids, and the brilliant Monsieur Adi has already picked it up and remixed it. This guy never misses a trick. Funnily enough, it's actually got vibes of MGMT's track of the same name - although, admittedly, probably not so much of an instant classic. Nevertheless, it's super fun and catchy (without being cheesy), which is enough for my seal of approval.
If you are, like me, an early morning commuter, you will be familiar with BBC's Radio 1. Yesterday I heard them playing Disclosure's new release: F for You. But I'd already beaten them to it; nay, I'd already gone beyond, for I have found Totally Enormous Extinct Dinosaur's Remix. Which is, quite simply, fabulous. I'd possibly go even as far as saying it's a stronger track than the original. But don't take my word for it - have a listen for yourself.
A remix that really took me by surprise this week was Kill Me With Colour's version of Bon Iver's Wolves. Expecting a fairly generic Chillwave take on the original made the surprising inclusion of one of the classics of old-skool HipHop all the more pleasurable. I won't spoil it for you. Go ahead. Enjoy.
If you liked Prizes remix of Babe, you'll probably enjoy Skyphos's take on Nina Simone's classic, Feel Good. I say probably. You will. Skyphos totally revamps the track, taking it apart to its most minimal, yet most recognisable, components, then layering some chilled sound effects over a rolling Chillwave synth beat. Perfect for those mornings when you don't want to get out of bed.
King Krule is a talented artist that is only going one way: up. This month he's put his hand to DJing, laying his own recognisable sound onto female rapper Angel Haze's New York. King Krule turns what is otherwise quite an overly aggressive rap track from a Minaj/Azealia/Iggy wannabe into something quite soft and surprisingly enjoyable.
If rap is what you're after, then Kid Cudi has returned, releasing Cold Blooded. Kid tends to be a bit hit-and-miss with what he brings out, but I think he's hit the nail on the head with this track. It's got a great bouncy beat, and, as usual, Kid's vocals cut through it like a knife through butter. Glad to have you back, Kid.
My guilty pleasure of the month has to be Kill Paris's Falling In Love Again, which has cheesy vocals and a dirty electro (bordering on Dubstep) beat. It's a total embarrassment. But I love it.
My favourite lady of Pop, Lana Del Rey has been remixed by Cedric Gervais this month, who turns her song, Summertime Sadness into a banging house track that is guaranteed to get people off their asses and on the dancefloor. Fist pump, y'all.
Last year, Jakwob released Fade - a more commercial direction than he'd previously been involved in, but enjoyable nonetheless. This year, Fade has clawed back some credibility through Sane Beat's remix, turning it into an understated Trap track that is as simple as it is masterful. This is the kind of Trap I like, especially when it's done this well.
Poliça is, I have a feeling, someone we need to keep an eye on. Her song, Dark Star was one of my standout tracks of 2012. This year, Tiff has been expertly remixed by Doc McKinney, who retains her signature vocals in all their glory while still adding some glitches and wobbles in all the best places. Nice work.
Moving on from Chillwave, we have some Indie, curtesy of SPEAK and Peaks (confusing), and I Break Horses and Denial. Feel-good and light-hearted, it exemplifies the new sound of Indie that I'm always going on about: more synth, generally higher male vocals (if not, female), you get the picture. For all you die-hard mid-00's Indie fans, I'd be interested to know what your view is on this 'new direction'.
Finally, I found a good Mash-up this week of R.Kelly and Phoenix by The Hood Internet. Listen. It's fun.
Tune Tape Tuesday #33
Here in Britain, we seem determined not to rest on the laurels of last Summer's Olympic Golds. What with Andy Murray winning Wimbledon, the Stones playing Glastonbury, and the sun shining for more than 4 consecutive days, it's set to be a Summer of just as many impressive firsts. Not wanting to feel left out, I've decided to break a little personal best of my own: this Tune Tape will be the BIGGEST yet, with 30 massive tracks to accompany your Summer. In light of the gargantuan size of this collection, I've decided not to blurb each track; I'll just do a paragraph outlining the best (just in case anyone gives a crap what I think). So with no further ado; I give you the Soundtrack to your Summer...
One of the stand out tracks of this week, if only for originality, is Sombear's Love You In The Dark. It's chillingly sexy, with a haunting, grinding, bassline wobble providing a backbone to some electrically altered vocals. Not quite Dubstep, not quite Electro, and not quite Chillwave, I've put it in its very own category of 'SexDrop'. Maybe it'll catch on, who knows.
Next up is Lane 8, who have been gaining a lot of exposure these past few weeks with some truly great Progressive House tracks - including, but not exclusive to, Be Mine. Prog House has got to be the best genre for the Summer months - none other would be at home in cars with the windows down, at barbeques, picnics, or sunbathing on the beach. Just invest in some good speakers.
For those that like their Drum'n'Bass served straight up, check out Seba with Identity, who mixes some classic DnB basslines and beats with other-worldly robotic lyrics. "This is my sound."
For some more of what I'm pioneering as 'SexDrop', have a listen to Stwo's Lovin U, which layers some beautiful female RnB lyrics on top of a wobble that makes you want to procreate. Alternatively, just switch on your subwoofer and let the bass make love to that.
I've talked a lot about the 'New Indie' sound, and The Night VI's exemplifies the female-led strand of the genre. With echoes of bands like The Jezabels and Camera Obscura, Thinking of You has a sadness and a strength about it; a vunerability that comes from the nature of the lyrics and a solidarity from the confident vocals. Good stuff.
I've been banging on about London Grammar for ages, and it would seem that at last they might get some global recognition: they've teamed up with Disclosure on their new track, Help Me Lose My Mind. As usual, Disclosure have guaranteed that you won't be able to get this song out of your head for weeks, but good on the boys for choosing such great artists to do collabs with. For a second serving of London Grammar, they've also released a solo track, Strong. With a distinctive 90's-inspired, feminist feel (take your cues from Alanis Morisette, No Doubt, Garbage, Madonna's Frozen), it really is a beautiful showcase of lead singer Hannah Reid's vocal range.
Right, hands up who likes saxophone solos? That's everyone then. This week I'm giving you double doses, first with Postiljonen's Atlantis, whose 80's sounding solo gives way an ethereal Chillwave number; secondly with Klingande and their Prog House track Jubel (think along the lines of Klangkarussell's Sonnentanz).
If you'd rather some Electro with your House, stick on Vicetone's remix of Matthew Koma's One Night. A total guilty pleasure, but hey, everything in moderation, right?
Seeing as you've nearly strayed into the world of Pop, why not jump right in and check out Urban Noize's remix of the utterly fabulous Lana Del Rey's new track, American, which features another chart heavyweight: Jay-Z. This is possibly the American equivalent of that collaboration Florence & The Machine did with Dizzee Rascal at Glastonbury. Legendary? You decide.
T'wouldn't be a Tune Tape without a cover or two. This week it's split between Parra for Cuva's cover of Chris Isaak's classic Wicked Games (a song I now have three different cover versions of on my iTunes. Apparently it never gets old.), and Alice Jemima taking on Blackstreet's No Diggity (of which, if you were paying attention, I featured Bondax's remix of last week - yay for continuity!). Parra for Cuva puts a groovy little salsa beat onto Isaak's original, as well as using female vocals to give it a different edge. I think it works. As for Alice Jemima, I still prefer Chet Faker's cover of the same song, but hey, good effort gal.
Jai Paul, after the success of relatively underground anthems like BTSTU and Jasmine, has returned with his new track, Track 3/Zion Wolf. It's a slightly different sound for him, perhaps a little more commercial, but no less catchy or enjoyable. Have a listen and see if you agree.
If you're up for a solo boogie (who isn't), stick on Figgy's track, Can't Hide, who, in a Giraffage style, mixes up the CeCe Peniston (lol) classic, Finally, in a totally awesome way. Forget tragic Dad-dancing on a wedding discofloor, this track comes with bags of street cred. Wig out, man.
Whenever I find a good mashup, I try to include it in the Tune Tape. This week's is Blood Orange's mix of Kendrick Lamar and The Sugababes. And who doesn't love the Sugababes? No-one? Well, let Blood Orange change your mind with this mashup - there's no guilt in this pleasure.
As we're on Pop, Panic City have remixed Maroon 5's new track, Love Somebody quite successfully. Although I have no idea what the original sounds like, they've laid down an Electro House pulse onto it, and come out with something that a DJ like Tiesto would be pretty proud of. Totally Euro, totally naughty, totally worth it.
On the back of their huge hit, 100%, Duke Dumont has released its new offering, Hold On, which is a bit more introspective and deep than their previous track. 'Hold On' to your hats, this one's gonna be big.
Finally for some Chillwave (swiftly turning into the signature genre of Tune Tapes), have a play of Brothertiger and Gallant, who serve up some self-searching music with In Mind and If It Hurts, respectively. Perfect for all my 'Rants' on here, but hopefully they'll provide some chilled-out contrast to your Summer playlist.
One of the stand out tracks of this week, if only for originality, is Sombear's Love You In The Dark. It's chillingly sexy, with a haunting, grinding, bassline wobble providing a backbone to some electrically altered vocals. Not quite Dubstep, not quite Electro, and not quite Chillwave, I've put it in its very own category of 'SexDrop'. Maybe it'll catch on, who knows.
Next up is Lane 8, who have been gaining a lot of exposure these past few weeks with some truly great Progressive House tracks - including, but not exclusive to, Be Mine. Prog House has got to be the best genre for the Summer months - none other would be at home in cars with the windows down, at barbeques, picnics, or sunbathing on the beach. Just invest in some good speakers.
For those that like their Drum'n'Bass served straight up, check out Seba with Identity, who mixes some classic DnB basslines and beats with other-worldly robotic lyrics. "This is my sound."
For some more of what I'm pioneering as 'SexDrop', have a listen to Stwo's Lovin U, which layers some beautiful female RnB lyrics on top of a wobble that makes you want to procreate. Alternatively, just switch on your subwoofer and let the bass make love to that.
I've talked a lot about the 'New Indie' sound, and The Night VI's exemplifies the female-led strand of the genre. With echoes of bands like The Jezabels and Camera Obscura, Thinking of You has a sadness and a strength about it; a vunerability that comes from the nature of the lyrics and a solidarity from the confident vocals. Good stuff.
I've been banging on about London Grammar for ages, and it would seem that at last they might get some global recognition: they've teamed up with Disclosure on their new track, Help Me Lose My Mind. As usual, Disclosure have guaranteed that you won't be able to get this song out of your head for weeks, but good on the boys for choosing such great artists to do collabs with. For a second serving of London Grammar, they've also released a solo track, Strong. With a distinctive 90's-inspired, feminist feel (take your cues from Alanis Morisette, No Doubt, Garbage, Madonna's Frozen), it really is a beautiful showcase of lead singer Hannah Reid's vocal range.
Right, hands up who likes saxophone solos? That's everyone then. This week I'm giving you double doses, first with Postiljonen's Atlantis, whose 80's sounding solo gives way an ethereal Chillwave number; secondly with Klingande and their Prog House track Jubel (think along the lines of Klangkarussell's Sonnentanz).
If you'd rather some Electro with your House, stick on Vicetone's remix of Matthew Koma's One Night. A total guilty pleasure, but hey, everything in moderation, right?
Seeing as you've nearly strayed into the world of Pop, why not jump right in and check out Urban Noize's remix of the utterly fabulous Lana Del Rey's new track, American, which features another chart heavyweight: Jay-Z. This is possibly the American equivalent of that collaboration Florence & The Machine did with Dizzee Rascal at Glastonbury. Legendary? You decide.
T'wouldn't be a Tune Tape without a cover or two. This week it's split between Parra for Cuva's cover of Chris Isaak's classic Wicked Games (a song I now have three different cover versions of on my iTunes. Apparently it never gets old.), and Alice Jemima taking on Blackstreet's No Diggity (of which, if you were paying attention, I featured Bondax's remix of last week - yay for continuity!). Parra for Cuva puts a groovy little salsa beat onto Isaak's original, as well as using female vocals to give it a different edge. I think it works. As for Alice Jemima, I still prefer Chet Faker's cover of the same song, but hey, good effort gal.
Jai Paul, after the success of relatively underground anthems like BTSTU and Jasmine, has returned with his new track, Track 3/Zion Wolf. It's a slightly different sound for him, perhaps a little more commercial, but no less catchy or enjoyable. Have a listen and see if you agree.
If you're up for a solo boogie (who isn't), stick on Figgy's track, Can't Hide, who, in a Giraffage style, mixes up the CeCe Peniston (lol) classic, Finally, in a totally awesome way. Forget tragic Dad-dancing on a wedding discofloor, this track comes with bags of street cred. Wig out, man.
Whenever I find a good mashup, I try to include it in the Tune Tape. This week's is Blood Orange's mix of Kendrick Lamar and The Sugababes. And who doesn't love the Sugababes? No-one? Well, let Blood Orange change your mind with this mashup - there's no guilt in this pleasure.
As we're on Pop, Panic City have remixed Maroon 5's new track, Love Somebody quite successfully. Although I have no idea what the original sounds like, they've laid down an Electro House pulse onto it, and come out with something that a DJ like Tiesto would be pretty proud of. Totally Euro, totally naughty, totally worth it.
On the back of their huge hit, 100%, Duke Dumont has released its new offering, Hold On, which is a bit more introspective and deep than their previous track. 'Hold On' to your hats, this one's gonna be big.
Finally for some Chillwave (swiftly turning into the signature genre of Tune Tapes), have a play of Brothertiger and Gallant, who serve up some self-searching music with In Mind and If It Hurts, respectively. Perfect for all my 'Rants' on here, but hopefully they'll provide some chilled-out contrast to your Summer playlist.
Whichever part of the Northern Hemisphere you're in, enjoy the Summer Sunshine!
Love,
Belle x
Sunday
Tune Tape Tuesday #32
Yes, I am fully aware it's been a whole 2 weeks with no Tunes. But what with starting a job with early mornings and late nights, looking for a flat in the lovely city of Bristol, and muttering curses under my breath at all the lucky people enjoying Glastonbury this weekend, I've hardly had a moment to catch my breath. First world problems, eh. Hopefully I can make it up to you with this cracking selection of tunes for the beginning of July (where has the year gone?!). A word of caution to this tale: these tracks may test you. They're all what I like to call 'growers' - you may not understand them, or even like them, on the first listen. But give the kids a chance. I promise you will be rewarded.
Tagged as 'SubSoul' on Soundcloud, this fresh sound is perfect to kick off this week's list. It's a little bit Chillwave, a little bit Electronica, a little bit gentle DubStep - rolled into an original track that will worm its way into your ears, brain, and trickle on down into your heart. The musical equivalent to a Summer breeze, Py's ethereal vocals are so high they border on being ultrasound. The gentle beats of the bass anchor it in the here and now and prevent it becoming a 'chipmunk track'. A tricky balance pulled off with aplomb. See if you agree.
Remixes of up-n-coming R&B star Miguel have been the project du jour - featuring at least twice before on TTT. This month, his song Adorn has been taken on by the marvellous Star Slinger, who's been a firm favourite of mine since I saw him live at Parklife fest 2 years ago. His signature is quirky Electro takes on even quirkier tracks - not for everybody - but this track seems to have mass-appeal. With a beat that makes you want to "shake it, baby", I defy anyone who can listen to this without their mood lifting. Happiness is just a click away...
The song of previous summers has been given a facelift for 2013. This updated version has got, wait for it, vocals - curtesy of Will Heard. His sex-smooth vocals are a perfect accompaniment for this sunshine anthem - which combines one of the catchiest sax riffs with the freshest of progressive house beats. An ideal track to take you from BBQ to street party. Enjoy those beats and burgers.
As R Kelly famously said: "after the show, there's the after-party...then take it to your room and f*ck somebody" [explicit version]. If it wasn't Ignition he was putting on for his lovemaking, it would have been this track by Dornik. Cheesy R&B 'lovemaking' tracks have been a makeover of late; they're subtler, dirtier, and way less cringe. Take Something About You as a case in point. With lyrics that wouldn't be out of place in an early 00's Usher song, the sophisticated Chillwave beat picks it up and drops it in a totally different headspace. Unlike putting on some Usher ("Usherrr"), the person you're enjoying some 'quality time' with won't entirely lose their erection. Win-win.
Here's an example of what a difference a beat makes. These songs sound like two totally different tracks - so much so that I found myself checking on my iPod what the song I was listening to was. The original 'alt-electro' bordering on Chillwave track is impressive, but the infectious beat detracts from the emotion of the lyrics. Take that away, and it becomes something totally different: a powerful, piano-accompanied, beautifully boned track - that rather than being less than the original, is, I think, so much more. Black Atlass is a new artist that I'll definitely be keeping a close eye on; watch this space.
It wouldn't be a Tune Tape Tuesday without some covers. Before I say anything, let me just say that the originals of these two tracks - Oblivion by Grimes, and Twice by Little Dragon - are two of my favourite songs ever. So for me to approve of another artist's cover is a big deal. Both Wilsen and Freeze-Tag have stripped the originals back to their bare bones - getting rid of the beat and concentrating purely on the vocals. In Wilsen's case, you might be forgiven for thinking this was simply an acoustic version by Grimes of her original track; the vocals are uncannily similar - both ethereally high, like a fairy who's inhaled helium. Freeze-Tag flips not only the sound but also the gender, slowing it right down and putting much more emphasis on the vocals than in the original. It takes some time to get used to, but I think it's a great fresh take on an original that, for me, never gets old.
This is honestly one of the most organic, and original, collaborations I've heard in some time. Feist (of 1,2,3,4) has teamed up with new guys Timber Timbre to create this beautiful track. As I stated at the beginning, this song is a grower - it might not catch you straight away, but give it a proper listen, and I think you'll agree it's a keeper. The artists' vocals work perfectly together, Feist providing the female dreaminess she's best at, Timber Timbre's masculine, earthy tones rooting it in genuine emotion. Oh and their harmonies are to die for. If you're feeling like an antidote to Summer euphoria, look no further than this thought-provoking track.
From the thought-full to the thought-less, this remix of NoNoNo's track is a mindless joy-fest. While you won't find any deep meaning here, by God you'll have a good time. There's something a little bit retro about this; perhaps it's the French accent on the vocals that remind me of c.2007 Yelle (aka my 'techtonique' phase), perhaps it's the feel-good beat that reminds me of a simpler time, who knows. It's best not to think too much - just stick it on and wave your arms about.
Shout out to a fellow Kiwi who's taking the NZ charts by storm. Lorde is a teen who's sound has mass-appeal. The infectious beat and catchy melody of her first single, Tennis Court, is slowly winging its way across the seas and will no doubt end up on Radio 1 in a matter of weeks. Make yourself sound super-cool by saying you found it first. Your friends won't think you're a hipster-dick at all.
From time to time, I like to see what people have done with a favourite song. Dreamin' by Feldberg is an old favourite I discovered about 3 years ago with the help of a Kitsuné Maison mixtape. This week I listened to what Kyte has done with the track...and I like. The original (which you can listen to here) is a beautiful bit of French electro-pop, which Kyte has honoured in his remix, adding a new dimension through a slow, groaning Dubstep backbeat and some electronic tintinnabulation (that's an amazingly pretentious word for 'tinkles') over the top. I like his style.
Cyril Hahn is the artist on everybody's lips at the moment (just look at that play count - only 4 days' worth!), and for good reason. His take on Destiny's Child's Say My Name was one of the most original and catchy remixes anyone had heard in a while. This week, he's released his own single: Perfect Form. It's undeniably Cyril, but I think lacks the mass-appeal of some of his previous work. He's got a few kinks to work out before he finds his own voice, but this track certainly witnesses him heading in the right direction. Keep at it Cyril! (always makes me think of Archer...)
I realise that for you Hip-Hop fans out there, TTT has been a little thin on the ground of late. Hopefully I can make it up to you by supplying you with two tracks that showcase where HipHop is heading in 2013. Candles by Jez Dior juxtaposes a 'Cali' style of rap with a female Indie-Folk chorus with, I think, a lot of success. Jez's sound is young and carefree, perfect for Summer listening, while the chorus provides a bit of sophistication to what otherwise would be quite an immature track. Rhythum's track is a return to the old-skool sound, combining a mid-90's sound with a Jay-Z sample. Far from being dated, Rhythum updates an old vibe for a 2013 audience. Now that's what I call fresh.
Finally, it's an old classic given a Electro facelift by the skilled hands of Bondax. There isn't a person on earth who doesn't love the original, and Bondax has been pretty faithful to the boys of Blackstreet, cutting it up and layering it over a broken Electronic beat. Twerk it, yo. Peace out.
Love,
Belle x
Tagged as 'SubSoul' on Soundcloud, this fresh sound is perfect to kick off this week's list. It's a little bit Chillwave, a little bit Electronica, a little bit gentle DubStep - rolled into an original track that will worm its way into your ears, brain, and trickle on down into your heart. The musical equivalent to a Summer breeze, Py's ethereal vocals are so high they border on being ultrasound. The gentle beats of the bass anchor it in the here and now and prevent it becoming a 'chipmunk track'. A tricky balance pulled off with aplomb. See if you agree.
Remixes of up-n-coming R&B star Miguel have been the project du jour - featuring at least twice before on TTT. This month, his song Adorn has been taken on by the marvellous Star Slinger, who's been a firm favourite of mine since I saw him live at Parklife fest 2 years ago. His signature is quirky Electro takes on even quirkier tracks - not for everybody - but this track seems to have mass-appeal. With a beat that makes you want to "shake it, baby", I defy anyone who can listen to this without their mood lifting. Happiness is just a click away...
The song of previous summers has been given a facelift for 2013. This updated version has got, wait for it, vocals - curtesy of Will Heard. His sex-smooth vocals are a perfect accompaniment for this sunshine anthem - which combines one of the catchiest sax riffs with the freshest of progressive house beats. An ideal track to take you from BBQ to street party. Enjoy those beats and burgers.
As R Kelly famously said: "after the show, there's the after-party...then take it to your room and f*ck somebody" [explicit version]. If it wasn't Ignition he was putting on for his lovemaking, it would have been this track by Dornik. Cheesy R&B 'lovemaking' tracks have been a makeover of late; they're subtler, dirtier, and way less cringe. Take Something About You as a case in point. With lyrics that wouldn't be out of place in an early 00's Usher song, the sophisticated Chillwave beat picks it up and drops it in a totally different headspace. Unlike putting on some Usher ("Usherrr"), the person you're enjoying some 'quality time' with won't entirely lose their erection. Win-win.
Here's an example of what a difference a beat makes. These songs sound like two totally different tracks - so much so that I found myself checking on my iPod what the song I was listening to was. The original 'alt-electro' bordering on Chillwave track is impressive, but the infectious beat detracts from the emotion of the lyrics. Take that away, and it becomes something totally different: a powerful, piano-accompanied, beautifully boned track - that rather than being less than the original, is, I think, so much more. Black Atlass is a new artist that I'll definitely be keeping a close eye on; watch this space.
It wouldn't be a Tune Tape Tuesday without some covers. Before I say anything, let me just say that the originals of these two tracks - Oblivion by Grimes, and Twice by Little Dragon - are two of my favourite songs ever. So for me to approve of another artist's cover is a big deal. Both Wilsen and Freeze-Tag have stripped the originals back to their bare bones - getting rid of the beat and concentrating purely on the vocals. In Wilsen's case, you might be forgiven for thinking this was simply an acoustic version by Grimes of her original track; the vocals are uncannily similar - both ethereally high, like a fairy who's inhaled helium. Freeze-Tag flips not only the sound but also the gender, slowing it right down and putting much more emphasis on the vocals than in the original. It takes some time to get used to, but I think it's a great fresh take on an original that, for me, never gets old.
This is honestly one of the most organic, and original, collaborations I've heard in some time. Feist (of 1,2,3,4) has teamed up with new guys Timber Timbre to create this beautiful track. As I stated at the beginning, this song is a grower - it might not catch you straight away, but give it a proper listen, and I think you'll agree it's a keeper. The artists' vocals work perfectly together, Feist providing the female dreaminess she's best at, Timber Timbre's masculine, earthy tones rooting it in genuine emotion. Oh and their harmonies are to die for. If you're feeling like an antidote to Summer euphoria, look no further than this thought-provoking track.
From the thought-full to the thought-less, this remix of NoNoNo's track is a mindless joy-fest. While you won't find any deep meaning here, by God you'll have a good time. There's something a little bit retro about this; perhaps it's the French accent on the vocals that remind me of c.2007 Yelle (aka my 'techtonique' phase), perhaps it's the feel-good beat that reminds me of a simpler time, who knows. It's best not to think too much - just stick it on and wave your arms about.
Shout out to a fellow Kiwi who's taking the NZ charts by storm. Lorde is a teen who's sound has mass-appeal. The infectious beat and catchy melody of her first single, Tennis Court, is slowly winging its way across the seas and will no doubt end up on Radio 1 in a matter of weeks. Make yourself sound super-cool by saying you found it first. Your friends won't think you're a hipster-dick at all.
From time to time, I like to see what people have done with a favourite song. Dreamin' by Feldberg is an old favourite I discovered about 3 years ago with the help of a Kitsuné Maison mixtape. This week I listened to what Kyte has done with the track...and I like. The original (which you can listen to here) is a beautiful bit of French electro-pop, which Kyte has honoured in his remix, adding a new dimension through a slow, groaning Dubstep backbeat and some electronic tintinnabulation (that's an amazingly pretentious word for 'tinkles') over the top. I like his style.
Cyril Hahn is the artist on everybody's lips at the moment (just look at that play count - only 4 days' worth!), and for good reason. His take on Destiny's Child's Say My Name was one of the most original and catchy remixes anyone had heard in a while. This week, he's released his own single: Perfect Form. It's undeniably Cyril, but I think lacks the mass-appeal of some of his previous work. He's got a few kinks to work out before he finds his own voice, but this track certainly witnesses him heading in the right direction. Keep at it Cyril! (always makes me think of Archer...)
I realise that for you Hip-Hop fans out there, TTT has been a little thin on the ground of late. Hopefully I can make it up to you by supplying you with two tracks that showcase where HipHop is heading in 2013. Candles by Jez Dior juxtaposes a 'Cali' style of rap with a female Indie-Folk chorus with, I think, a lot of success. Jez's sound is young and carefree, perfect for Summer listening, while the chorus provides a bit of sophistication to what otherwise would be quite an immature track. Rhythum's track is a return to the old-skool sound, combining a mid-90's sound with a Jay-Z sample. Far from being dated, Rhythum updates an old vibe for a 2013 audience. Now that's what I call fresh.
Finally, it's an old classic given a Electro facelift by the skilled hands of Bondax. There isn't a person on earth who doesn't love the original, and Bondax has been pretty faithful to the boys of Blackstreet, cutting it up and layering it over a broken Electronic beat. Twerk it, yo. Peace out.
Love,
Belle x
Saturday
Tune Tape Tuesdays #31
This week I took a trip to the N-Dubs - that's 'street' for North-West London for those of you who aren't familiar with the origins of Tulisa Constavilopipoppopos's musical rise (and fall) from fame. Considering I'd never ventured further than Camden, this was obviously quite exciting. It also explains why this week's Tune Tape is a bit late. I'll try and make it up to you...
I've been singing Flume's praises for a while know - their mash up with Notorious BIG was a thing of genius - but this week they've teamed up with another Rap artist: T.Shirt. T.Shirt's tone is, admittedly, similar/inspired by Biggie, but Flume's uplifting, self-classified 'Flume-Step' (somewhere between Chillwave and Dubstep), really makes the track. Stick it on and get psyched.
If you're in a part of the country where the weather is less than Summery - i.e. here, in Bristol - then this is the song to stick on and pretend you're somewhere where the sun actually shines. If you're into soundscapes, this is a track for you - the beat rolls just like the waves, lulling you into a state of summery bliss. Sweet dreams from Robin Schultz.
If you're a fan of a) Progressive House, and b) Passenger, then this remix by Kygo is pretty much a dream come true. Amazingly, Kygo is 21. Which, and not to sound patronising at 22, is fucking impressive. He treats the track with a huge amount of respect and sensitivity that artists twice his age haven't grasped yet. If you're interested, he's also produced some pretty decent remixes of artists such as James Blake, Rihanna, and Matt Corby. Check out his SoundCloud page here.
Well it wouldn't be a Tune Tape without a cover, would it. This week it comes courtesy of Disclosure, who have successfully turned a song I can't stand into one that I love. Although they really haven't done anything radical in terms of tempo, style, or vocals, I inexplicably prefer this version to the Duke Dumont that's playing on the radio. Maybe I have a certain snobbery towards the Top 40. Maybe I just prefer Disclosure's vocal tones. Either way, it's this version, rather than D.D's that I'll be bouncing around to this Summer.
For this week's dose of Indie, I've chosen The Dig's track, I've Already Forgot Everything You Said. With it's muted riffs and dreamy vocals, you'd think it was just another song to get you down. But weirdly, it's kind of empowering. Perfect for those long, staring-out-the-window commutes to work.
Posted two years ago, this song is, admittedly, pretty old. But AMTRAC's an artist whose tracks are so strong that they feel brand spanking new. Even though he's flown pretty much under any radar over the last few years, he's amassed a collection of tracks to rival other electronic heavyweights such as Nicolas Jaar or Joy Orbison. And unlike many, most of his tracks are hits rather than misses. In this case, AMTRAC has taken on Metric's quirky Indie track, Blindness, turning it into a sophisticated Dubstep track that is neither filthy nor offensive - just pure class.
However, if filthy and offensive Dubstep is your thing, check out the newest track from one of the genre's reigning champions, Zeds Dead. As ever, the duo more than delivers on both quality and originality. Thankfully they've stayed away from the stereotypical (and now sorely dated) Dubstep nasty wobble, preferring something a little more subtle - though no less filthy. Get your [reformed] bass face on, because Zeds Dead, baby. Zeds Dead.
Here's another vintage track that I've only just discovered. When I was 16, I had a brief, but passionate, flirtation with French Electro. It seems I'm having a revival. Andy Carmichael's remix of Coeur de Pirate's track, Comme des Enfants makes you want to dance 'comme un enfant' (that's "like a child", for those of you that failed GSCE French) with it's unashamedly feel good Electro-Pop vibe. Stick it on and rewind the years.
So I thought we'd finish on something relaxing. This belongs in a genre that my friend has named 'ambientronica' - somewhere between a soundscape and Chillwave, but doing it's own thing. Similar in sound and vibe to Sizzlebird, Catching Flies manages to seamlessly blend chipmunk-high vocals with truly inspiring instrumentals. It shouldn't work, but it really does.
Y'all have a great weekend now!
Love,
Belle x
I've been singing Flume's praises for a while know - their mash up with Notorious BIG was a thing of genius - but this week they've teamed up with another Rap artist: T.Shirt. T.Shirt's tone is, admittedly, similar/inspired by Biggie, but Flume's uplifting, self-classified 'Flume-Step' (somewhere between Chillwave and Dubstep), really makes the track. Stick it on and get psyched.
If you're in a part of the country where the weather is less than Summery - i.e. here, in Bristol - then this is the song to stick on and pretend you're somewhere where the sun actually shines. If you're into soundscapes, this is a track for you - the beat rolls just like the waves, lulling you into a state of summery bliss. Sweet dreams from Robin Schultz.
If you're a fan of a) Progressive House, and b) Passenger, then this remix by Kygo is pretty much a dream come true. Amazingly, Kygo is 21. Which, and not to sound patronising at 22, is fucking impressive. He treats the track with a huge amount of respect and sensitivity that artists twice his age haven't grasped yet. If you're interested, he's also produced some pretty decent remixes of artists such as James Blake, Rihanna, and Matt Corby. Check out his SoundCloud page here.
Well it wouldn't be a Tune Tape without a cover, would it. This week it comes courtesy of Disclosure, who have successfully turned a song I can't stand into one that I love. Although they really haven't done anything radical in terms of tempo, style, or vocals, I inexplicably prefer this version to the Duke Dumont that's playing on the radio. Maybe I have a certain snobbery towards the Top 40. Maybe I just prefer Disclosure's vocal tones. Either way, it's this version, rather than D.D's that I'll be bouncing around to this Summer.
For this week's dose of Indie, I've chosen The Dig's track, I've Already Forgot Everything You Said. With it's muted riffs and dreamy vocals, you'd think it was just another song to get you down. But weirdly, it's kind of empowering. Perfect for those long, staring-out-the-window commutes to work.
Posted two years ago, this song is, admittedly, pretty old. But AMTRAC's an artist whose tracks are so strong that they feel brand spanking new. Even though he's flown pretty much under any radar over the last few years, he's amassed a collection of tracks to rival other electronic heavyweights such as Nicolas Jaar or Joy Orbison. And unlike many, most of his tracks are hits rather than misses. In this case, AMTRAC has taken on Metric's quirky Indie track, Blindness, turning it into a sophisticated Dubstep track that is neither filthy nor offensive - just pure class.
However, if filthy and offensive Dubstep is your thing, check out the newest track from one of the genre's reigning champions, Zeds Dead. As ever, the duo more than delivers on both quality and originality. Thankfully they've stayed away from the stereotypical (and now sorely dated) Dubstep nasty wobble, preferring something a little more subtle - though no less filthy. Get your [reformed] bass face on, because Zeds Dead, baby. Zeds Dead.
Here's another vintage track that I've only just discovered. When I was 16, I had a brief, but passionate, flirtation with French Electro. It seems I'm having a revival. Andy Carmichael's remix of Coeur de Pirate's track, Comme des Enfants makes you want to dance 'comme un enfant' (that's "like a child", for those of you that failed GSCE French) with it's unashamedly feel good Electro-Pop vibe. Stick it on and rewind the years.
So I thought we'd finish on something relaxing. This belongs in a genre that my friend has named 'ambientronica' - somewhere between a soundscape and Chillwave, but doing it's own thing. Similar in sound and vibe to Sizzlebird, Catching Flies manages to seamlessly blend chipmunk-high vocals with truly inspiring instrumentals. It shouldn't work, but it really does.
Y'all have a great weekend now!
Love,
Belle x
Wednesday
Tune Tape Tuesdays #30
As you may have read last week, this Tune Tape is the first to be broadcast from Farnham, Surrey. To explain what this means, I've decided to put together a little map.
That's right. Farnham is so uncool I've listed it in Comic Sans MS. Ouch. As you might imagine, being in a town where the median age is dead can start to do things to your head (high five for rhyming), which is why this week's Tune Tape is a little thin on the ground compared with last week's colossus of nigh on 30 tracks. But hey, we roll with the punches. This week, I've decided to do things a little differently. Instead of my usual one paragraph essay on tracks, I've decided to break it down and concentrate on a smaller selection of tracks - to which a little summary will accompany. Hopefully a smaller selection of tracks will make it easier for you to load the page - I know some of your internet machines have been having shit fits trying to handle that much Soundcloud at once. As always - feedback, feedback, feedback, por favor!
1. This Charming Man (Luis Leon Bootleck) - The Smiths
Being a massive fan of The Smiths (yet another band to come out of Manchester - holler), I'm always weary of any remixes of their tracks - especially "the classics", of which This Charming Man is arguably the best known. Anyone who has tried to turn a Smiths song into filthy Dubstep, trashy EuroHouse or an Electro banger has - in my eyes - failed miserably. Then along came this track, which, with its slow crescendo and delicate beat, holds the Smiths' hand into the world of Progressive House. And what a track it makes! The lyrics aren't messed with and still provide the focus of the track, while a toned-down house beat accompanies the song, elongating it into something that can be enjoyed for several minutes, rather than the 2:45 of the original. That's got to be a win.
2. Farah Fawcett Hair (feat. André 3000) - Capital Cities
Last month, André 3000 released his joint cover with Beyoncé of Amy Winehouse's Back to Black, which featured pretty prominently on The Great Gatsby soundtrack. Although it was a far cry from his Ms Jackson heyday, it's great to hear his unmistakable gravelly growl again - this month in collaboration with Capital Cities. Farah Fawcett Hair is following the new trend of 'copy+paste' established by artist such as The Avalanches, Clean Bandit, and Chinese Man. Essentially, tracks are made up of a host of samples taken from retro films, advertisements, turn-of-the-last-century records...you get the picture. If those, plus the crazy-happy chorus isn't enough for you, the input of André 3000 takes it to another level of awesome.
3. Get Lucky (Daft Punk Cover) - San Cisco
Speaking of covers...here's San Cisco covering that track that you're probably sick of hearing: Get Lucky. While Daughter's take on the track was, in my opinion, down right depressing, San Cisco essentially makes an acoustic version of the original. The tempo's pretty similar, it features an electric guitar in the chorus, but I reckon (say it quietly) the vocals are better than Pharell's. In a purely musical sense of the word, of course. Regardless, this cover made me fall in love with the track all over again - hopefully it can do the same for you.
4. Dancing in September Mashup - Troika
I'm always a little weary of Mashups. In my experience, a vast amount are tacky and amateurish, only dealing with the most overplayed of the year's chart crap. However, when they're good, they're great. Troika's Dancing in September is the perfect example of when a Mashup gets it right. He manages to mix together the least cringe, but still well known, chart toppers with a host of lesser known tracks to create one hell of a guilty pleasure. This song demands fist pumps, and for the first time in your life, you would be totally validated. Touché, Mr Troika - I tip my (flat) cap to you.
5. Somethin' Bout You - Follow Me
Another week, another track from Follow Me - these dudes are no strangers to Tune Tape Tuesdays. If you're new here, Follow Me likes taking signature tracks from the 90's (TLC, Brandy, etc) and turning it into some incredible House. This week is no different. According to their song page, they heard a radio broadcast from 1996, and decided to turn it into something new - ie. THIS. With the beat of progressive house, but lacking in the minutes, this is perfect to stick on and get people moving.
6. Betwixt - OMN
Here's one to divide opinions. This is what my mother likes to call "repetitive crap". Agreed, there is an element of repetitiveness, but only if that's what you're concentrating on. I guess it depends what you use your music for; if it's purpose is to fill the silence whilst you do your work - this song is perfect. If you prefer to put the music in the front seat, then you might become weary of this track after a few plays. Personally, I think it's a good crack at Chillwave - but it's hardly breaking any boundaries.
7. Art & a Wife - Rah Rah
This week we're signing off with a video. Not because it's particularly mind-blowing, but because Rah Rah doesn't currently have a Soundcloud account (and uploading it myself is against copyright, apparently). The VT features a couple of remote-control cars being chased by a pack of dogs in a park. If you like those 'animals do the funniest things' YouTubes, then this might be for you. However random, the video suits the band's playful sound. With a vibe similar to DataRock in the mid-00's, a sound somewhere between The Drums and the Courteneers, and tongue-in-cheek lyrics that wouldn't feel out of place in a Franz Ferdinand track, Rah Rah sets itself squarely in the Indie tradition. With a toe-tapping beat and catchy riffs, this track is perfect for skipping along to under the warm Summer sun - which reminds me, what am I doing inside?
Love,
Belle x
1. This Charming Man (Luis Leon Bootleck) - The Smiths
Being a massive fan of The Smiths (yet another band to come out of Manchester - holler), I'm always weary of any remixes of their tracks - especially "the classics", of which This Charming Man is arguably the best known. Anyone who has tried to turn a Smiths song into filthy Dubstep, trashy EuroHouse or an Electro banger has - in my eyes - failed miserably. Then along came this track, which, with its slow crescendo and delicate beat, holds the Smiths' hand into the world of Progressive House. And what a track it makes! The lyrics aren't messed with and still provide the focus of the track, while a toned-down house beat accompanies the song, elongating it into something that can be enjoyed for several minutes, rather than the 2:45 of the original. That's got to be a win.
2. Farah Fawcett Hair (feat. André 3000) - Capital Cities
Last month, André 3000 released his joint cover with Beyoncé of Amy Winehouse's Back to Black, which featured pretty prominently on The Great Gatsby soundtrack. Although it was a far cry from his Ms Jackson heyday, it's great to hear his unmistakable gravelly growl again - this month in collaboration with Capital Cities. Farah Fawcett Hair is following the new trend of 'copy+paste' established by artist such as The Avalanches, Clean Bandit, and Chinese Man. Essentially, tracks are made up of a host of samples taken from retro films, advertisements, turn-of-the-last-century records...you get the picture. If those, plus the crazy-happy chorus isn't enough for you, the input of André 3000 takes it to another level of awesome.
3. Get Lucky (Daft Punk Cover) - San Cisco
Speaking of covers...here's San Cisco covering that track that you're probably sick of hearing: Get Lucky. While Daughter's take on the track was, in my opinion, down right depressing, San Cisco essentially makes an acoustic version of the original. The tempo's pretty similar, it features an electric guitar in the chorus, but I reckon (say it quietly) the vocals are better than Pharell's. In a purely musical sense of the word, of course. Regardless, this cover made me fall in love with the track all over again - hopefully it can do the same for you.
4. Dancing in September Mashup - Troika
I'm always a little weary of Mashups. In my experience, a vast amount are tacky and amateurish, only dealing with the most overplayed of the year's chart crap. However, when they're good, they're great. Troika's Dancing in September is the perfect example of when a Mashup gets it right. He manages to mix together the least cringe, but still well known, chart toppers with a host of lesser known tracks to create one hell of a guilty pleasure. This song demands fist pumps, and for the first time in your life, you would be totally validated. Touché, Mr Troika - I tip my (flat) cap to you.
5. Somethin' Bout You - Follow Me
Another week, another track from Follow Me - these dudes are no strangers to Tune Tape Tuesdays. If you're new here, Follow Me likes taking signature tracks from the 90's (TLC, Brandy, etc) and turning it into some incredible House. This week is no different. According to their song page, they heard a radio broadcast from 1996, and decided to turn it into something new - ie. THIS. With the beat of progressive house, but lacking in the minutes, this is perfect to stick on and get people moving.
6. Betwixt - OMN
Here's one to divide opinions. This is what my mother likes to call "repetitive crap". Agreed, there is an element of repetitiveness, but only if that's what you're concentrating on. I guess it depends what you use your music for; if it's purpose is to fill the silence whilst you do your work - this song is perfect. If you prefer to put the music in the front seat, then you might become weary of this track after a few plays. Personally, I think it's a good crack at Chillwave - but it's hardly breaking any boundaries.
7. Art & a Wife - Rah Rah
Love,
Belle x
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